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Writing
English Language Teaching materials is big business. Just ask Raymond
Murphy (author of English Grammar in Use and Essential Grammar
in Use - two of the most successful grammar books ever written).
Or ask any of the four main ELT publishers in the UK, who alone turn
over more than US$600m worth of ELT books every year.
The
one thing almost all ELT material writers have in common is this:
at some point in their lives, they were teaching English as a foreign/second
language.
So
how do you get into materials writing ?
There are many ways, but first you have to decide who you want
to write for. The reason for this is simple: there are two main
markets for ELT writers - international and national.
No doubt John and Liz Soars could not have imagined the worldwide
popularity of their Headway series, which has sold over 10
million copies. But there are other less known bestsellers on the
National Curriculums in Greece, Turkey, Spain, etc, which have often
been co-written by native-speaking ESL/EFL teachers.
The point here is this: there are plenty of opportunities for anyone
with a creative streak and a need to see their name in print.
1.
First you need an idea.
Preferably something with a different angle. It could be a course
book, a resource book, even a dictionary. But it has to stand out.
2.
Then write up a submission.
It doesn't need to be a 400-page thesis, just a concise submission
detailing:
- Rationale (2-pages) In particular:
- Who is it aimed at?
- What approach/methodology does it
adopt? (Communicative? Task-based? Lexical? Structural?)
- Outline
(2-pages) In particular:
- Structure?
- Topics?
- Supplementary materials (Teacher's
Book? Student's Book? Workbook? Audio-cassettes?)
- Sample Materials (20 pages
max) In particular:
- One whole unit
- Tapescripts?
- Your CV/Résumé (2-pages)
Detailing:
- Your ELT qualifications and experience
- Any publishing credits
- Any instances in which you have given
papers / training sessions.
3. Draw up a list of possible publishers.
And the contact person in each of those publishing companies.
4.
Prepare a 30-second telephone pitch.
Just in case you get put on the spot.
5. Approach a publisher.
Most of the main US and UK ELT publishers have international
offices. Governments also have their own National publishing offices.
The approach can be done in writing, by telephone or in person.
- ALWAYS include a Stamped Addressed
Envelope to cover return postage of your manuscript
- ALWAYS
include your name and contact details on the front of the manuscript
- NEVER spiral-bind the manuscript. Many publishers will
want to photocopy it for other people to read. Spiral binding prevents
this.
- NEVER hassle a publisher straight
after submitting a manuscript. Allow a minimum of 6 weeks before
you recontact the publisher to track the progress of your manuscript.
Publishers often hold on to submissions for months.
A
few myths dispelled….
1. If I send it in, who am I to stop
them from stealing it?
Publishers are aware of your rights. And theirs. Many new ideas
are subconsciously spawned at the same time, often by the same catalyst.
Your bright idea for a new Task-Based-Lexical-Approach might be
one of six proposals on an almost identical theme that a particular
publisher is considering at any given time. What is more, ideas
are not copyright. And at the end of the day, if it's not out there
for consideration, no one is going to consider it.
2. Only books written with an 'international'
readership in mind are successful.
Nonsense. Many local and independent publishers and writers
around the world have done exceptionally well out of publishing
English course materials for national markets. Just because OUP,
CUP, Pearson ESL or Macmillan-Heineman are not interested, doesn't
mean that the Spanish Department for State Education, or its Greek
equivalent, wouldn't be.
3. ELT publishers - like their cousins
publishing mainstream fiction - are inundated with unsolicited manuscripts.
Not true. Very few publishers will turn down a no-strings-attached
offer to view a great new idea that could potentially make them
a lot of money. Nevertheless, an initial telephone / written inquiry
is still the preferred approach.
4.
If I can get it noticed via a gimmick, it will more likely be read.
Surely you mean, 'more likely be discarded as amateur'? Fluorescent
covers do more to annoy than impress. Stick to the industry formatting
standards, and let your content do the talking.

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How
to get your teaching ideas published
A
Writer's Guide to Education Publishing Jean Stangli
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